PIERRE SOULAGES. UNE LUMIERE INFINIE. PHILLIPSX + ARCHEUS POST MODERN. PHILLIPS LONDON. FEBRUARY 1-10, 2022
Briefly Gorgeous. PhillipsX + hanwha life. Songwon art center. Seoul, south korea. september 1 - 9, 2023
NEVER ABOVE 14 STREET. A downtown NYC art show. PHILLIPS NEW YORK. MARCH 8-23, 2023
(RE)TRACE. KUSAMA TO SHIOTA. PHILLIPS HONG KONG. APRIL 18-20, 2023
Mickalene Thomas. BEYONG THE PLEASURE PRINCIPLE - Lévy Gorvy, New York - 2021 - PHOTOS BY TOM POWELL
Michelangelo Pistoletto - Lévy Gorvy, New York - 2020
Porte Uffizi
Conceived in 1995 / engineered, fabricated, and INSTALLED in 2020 - PHOTOS BY TOM POWELL
Michelangelo Pistoletto - Lévy Gorvy, New York - 2020
the free space
Conceived in 1976 / engineered, fabricated, and INSTALLED in 2020
Michelangelo Pistoletto - Lévy Gorvy, New York - 2020
Installation including Color and Light (2016), Vicerversa (1971), and Metroquadrato d'infinito (1966-70)
Calder | Kelly - Lévy Gorvy, New York - 2018
Looking Forward To The Past - Christie's, New York - May 2015
Warhol Women - Lévy Gorvy, New York - 2019
An original recreation of Andy Warhol’s Silver Factory with original screen test footage on loan from
The Andy Warhol Museum, Pittsburg, PA.
Pierre Soulages. A Century - Lévy Gorvy, New York - 2019
SUPERDESIGN. ITALIAN RADICAL DESIGN FROM 1965 - 1975 - R&COMPANY, NEW YORK - 2018
SUPERDESIGN focus booth for R&COMPANY - expo chicago - chicago, illinois - 2017
MARC NEWSOM'S LOCKHEED LOUNGE AND NICKEL SURFBOARD - DESIGN MASTERWORKS - Christie’s, New York - 2015
American Master. Frank Stella: Polish Villages - Lévy Gorvy - Hong Kong - 2019
DESIGN MIAMI - A Booth Featuring the Haas brothers for R&COMPANY - miami, florida - 2017
HAAS FOR THE HOLIDAYS | BARNEY'S HOLIDAY WINDOWS - BARNEYS, MADISON AVENUE, NEW YORK - 2017
WOVEN FORMS - ABC carpet & home with r&Company - New York - 2017
Jeffrey Gibson - Marc Straus, New York - 2014
ON CREATING REALITY. BY ANDY KAUFMAN - MACCARONE GALLERY - NEW YORK - 2013
“...an engrossing, idiosyncratic exhibition at the Maccarone gallery in the West Village. This exhibition is deliberately interactive — relational — in a way that feels like a curatorial invention...”
